Tuesday, April 12, 2011

Anniversary

On this day, fifty years ago:

Happy anniversary,
Comrade Gagarin, and Sputnik "Vostok"!

I remember the 1961 news only vaguely. According to this, Gagarin's flight was no big surprise to U.S. space scientists. They soon followed with Alan Shepard's suborbital flight the next month, and John Glenn's orbit in '62.

I came upon the Gagarin card twenty-plus years after the event. Beyond the heroic image-making, it seemed the sensitive face of this Soviet boy-next-door had something quite genuine about it.

That seems to have been a good read.

This suggests the first man in space was a highly likeable and accomplished person, shaped by humble origins and the deprivation of a war-time childhood.

On a tour of Britain three months after his space flight, Gagarin was such a hit that
... The Russophobe Daily Mail even ran the headline: "Make him Sir Yuri!", while John F Kennedy was so alarmed by his popularity that he banned him from entering the United States.
And he's still popular:
According to Andrea Rose, a director of the British Council who is behind plans to erect a statue of Gagarin in London, this veneration is because Gagarin is "the one untarnished figure from the Soviet era".
He died far too young, in a 1968 training plane crash.

Interesting to read about world reaction to Gagarin in 1961.

While I remember the flight just dimly, I have very strong memories of an American TV show, about three years later. Now I wonder: did the Gagarin image influence a certain fictional Russian?

He was an attractive, charasmatic Russian.

Sound out his name, with Hollywood Russian accent: hear the strong resemblance to Yuri Gagarin.

Monday, April 11, 2011

Arrival of Spring

Japanese post card, c. 1970s—

Today marks one month since Japan's deadly earthquake and tsunami.

And it's just after the first weekends in April, when the cherry trees flower and people in Japan get together for hanami: blossom-viewing (with picnicking—and especially, drinking—under the trees).

A Tokyo resident, photographer Alfie Goodrich, expresses some thoughts about this year's hanami as "a chance to celebrate the best of mother-nature, after seeing her worst."

I started the year posting Japanese images, and it's been painful to think about continuing, with all that's happened in the last month.

Another post card, c. early 1970s—
There's no English caption, and for years I treasured this card as an amusingly odd image: working-class Japanese enjoying a sunny day outing, as they accompany a boat transformed into what looked to me like a somewhat goofy creature.

(It's something about the look in that eye...)Years after finding this in the U.S., I had learned enough Japanese to identify the location in the card's capition, and google up this description:
Minato Matsuri (port festival), held August 4-5 in the city of Shiogama, Miyagi Prefecture. Portable shrines are carried aboard two large boats, decorated as a phoenix (as in the card) and a dragon. The main boats are followed by family fishing boats, as everyone joins in to pray for good catches.
From this series of photographs, here is a Shiogama scene last month:
Volunteers sift through debris in Shiogama, northern Japan, Sunday, March 20, 2011, after the March 11 earthquake and tsunami.
AP Photo/The Yomiuri Shimbun, Miho Takahashi

Having lived in the country (though in a region far from the disaster zone), I have a sense of how much life will never be the same. And having traveled through a good bit of Japanese countryside, I know that the rural population is elderly, as are so many of the survivors living through this trauma.

Toward the end of March, there were some very moving images and words by photographers traveling in the region.

Jake Price's photo essay is here. He stayed in a shelter for the displaced and reported that —
The elderly were hit the hardest. At least sixty percent of the people in the center were elderly...

While much has been written about Japanese stoicism, I don't see it that way. There's a lot going on in thoughts and hearts if you look closely at faces and eyes as well. The events of two Fridays ago were swift and violent; people along the coast are still in a state of deep shock. The first person whom I spoke with in my hotel in Yamagata started shaking and was nearly brought to tears when she heard that I was interested in her story. "Aside from my husband it's been a week since I've told anyone about what happened. I just needed to tell someone."

... Although I had my own food, I was constantly being given more. I wanted to turn it down, but to do so I thought would be impolite. While reserved, people were also open, giving, concerned for this stranger who showed up with dirty boots and two bags. Not stoic at all. If anything, I found people determined to keep a gracious spirit alive even during this most trying of times. At the epicenter I did not come across one crack in a single building; accordingly, the same can be said about people's dignity.
Price's experiences are echoed by Wes Cheek, who traveled to rural areas where aid was finally reaching some of the people who, isolated in their own homes (not shelters), had been cut off from the rest of the country.

He phoned reports to Sam Seder's podcast during the trip, and the March 30 show [after the 2:30 mark] has some inspiring stories of survivors helping each other.

The March 31 report [2:00 mark] had stories like Jake Price's: of survivors being grateful that someone was simply listening, and that the world had not forgotten them.

Wes also had some observations about how, enormous as the task of rebuilding will be, it will be helped by the country's focus on infrastructure, and a sense of refusing to let the survivors down.

He also mentioned the difference from American attitudes after Katrina, as in the "why didn't they leave?" blaming of victims.

To that, I would add: Japanese society isn't subject to the kind of divide and conquer rule under which we live. After Katrina, the political agenda that benefits from pushing fear of the other acted as it always does, in demonizing the storm's victims. A practice promoted by our media, directly, or by declining to perceive it.

True, there was a Japanese right-winger's grandstanding after the disaster. But Ishihara soon had to walk back what he said; unlike here, there is not a Japanese mass media promoting this kind of thing, 24/7.

One month later: the nuclear plants are anything but contained. Belatedly, the evacuation zone is being extended a bit, as aftershocks continue.

As in this country, there was a long history of government collusion with corporations corruption in hiding the lack of safety.

Long-range consequences to the environment and human health, in Japan and around the world, are unknown. They will be unaffected by national borders.

If there's to be any hope for this poor planet, it will be if activism in Japan and the rest of world aren't too late, and can get results.

Anti-nuclear demonstration in Tokyo, March 27.
Reuters/Toru Hanai

Friday, April 1, 2011

Serious Fooling Around

Sheet music front cover—
Words and music by Slim Gaillard and Lee Ricks, 1946
American Academy of Music, Incorporated
1619 Broadway - New York City
A fine singer—as comes through even his silliest lyrics—Slim Gaillard was an accomplished multi-instrumentalist.

He also was an early experimenter with studio overdubbing, which let him record at least one number, "Genius" (aka, "Ride Slim Ride"), where he plays every instrument in a combo.

In the late 1930s he teamed with bassist Slam Stewart. Recording as Slim & Slam, the two had several hit records.

Songs incorporated a hipster lexicon, "vout," which Slim invented. The lingo is so out there, it seems a parody of hipster talk, and Slim continued to use it to the end of his career.

He had an excellent ear for languages, and was able to combine a smattering of words with convincing ad libbed sounds. One example, in "Spanish," is after the 1:50 mark here.

And this was supposed to have been inspired by Slim's boarding with—and being fed by—a woman of Middle Eastern ancestry. According to Wiki, his landlady was Armenian, and the entry cites several dishes, as well as Arabic phrases ("I'm broke!") in the lyrics to "Yep Roc Heresy."

A few minutes of a 1980s video ; Slim's interviewer is George Melly, an English musician, arts critic, and author.

Melly calls Slim "the possessor of a truly surreal, freewheeling imagination."

My own favorite example is how he turned a 1950s pop hit into this:
Everybody's wondering
How high the moon.
Does the moon ever wonder
How low you are?
That's only the intro; it gets seriously surreal after that.

A good sampling of typical hijinks, as well as musical chops, is here.

The TV show (c. early 60s) is not identified, but a segment combining jazz + comedy has to be from a Steve Allen show. Apparently, Oxydol and Westinghouse were sponsors, per Slim's ad lib lyrics.

Slim's "o-rooney" linguistic inventiveness was surely an influence on "Steverino," perhaps inspiring Allen's "Schmock-Schmock!" catch phrase coining.

About twenty years after that performance on the show, Gaillard recorded with Allen, as one of the quartet on "Steve Allen's Hip Fables" (1983).

These were re-tellings of children's stories, in "cool" jazz lingo. A track I've heard: "The Three Little Pigs," where each line of Allen's lyrics is followed by a melodious barrage of rolled "r"s, as Slim "translates" the story into his own version of Spanglish.

J. spotted this at a library sale:
According to this, tracks were recorded in 1951 and '52.

Some cover art detail:

Illustrator David Stone Martin included cats hanging out here:
With all the food references in Slim's lyrics, I took this for some kind of dish or cooking pot until J. set me straight: it's a trumpet mute.

Back cover portrait of the recording artist:

The song list even includes a seasonal note for April: