Showing posts with label Post cards. Show all posts
Showing posts with label Post cards. Show all posts

Monday, September 2, 2019

Thrift Shop Day

A couple of items promising to take care of a range of needs. One barrel good for 50 huddled in your shelter—


At the other end of the size spectrum (and these images are around 40% larger than the tin)—


Also: assorted unsettling tourist destinations.

"Berlin - Karl-Marx-Allee 15 Jahre Haupstadt der DDR"
"Berlin - Hauptstadt der Deutschen Demokratischen Republik" (Soviet War Memorial, Treptow)
Schwarzwaldmuseum Triberg
"Los Caracoles   Restaurante Tipico"

Monday, December 2, 2013

"The World's Largest Shopping Center"


Caption—

The picture looks later that 1954, though the publisher's postal zone (instead of zipcode) would make this pre-1963

The card is from roughly the same time as this restaurant guide; a fine old (defunct) department store that advertised its food departments and tea rooms in the guide also built this mall. The card image does seem puzzling for the period: I wouldn't have expected it was that early that everyone—even what looks looks like an old guy (left foreground)—was wearing jeans. Certainly not to a "fabulous" mall.

Shifting to the current spirit of retail, there's 2013 post-Thanksgiving good news: "Calm Black Friday: Only 1 Death, 15 Injuries..." Attributed to Big Shopping Day.

Wednesday, June 12, 2013

Puzzling

Nothing says "mail some fun today"...
...like a painting by Max Beckmann.
Not that this product offers any attribution, but the artist's style and imagery are unmistakable. A bit of image searching identified the painting: Begin the Beguine (1946), at the University of Michigan Museum of Art.

The museum's site attributes the painting:
Max Beckmann
Netherlands, 1884–1950
Although Beckman painted this while living in Amsterdam, that's no excuse for the bad history—not when the artist and his work are inextricably identified with Germany. The influence of German Gothic painting is often noted of his work, especially in the triptychs. "A German Goya," says one critic, who adds, "The triptychs are like medieval passion plays, although the moral is almost always unclear in Beckmann's work."

There was also that little business about "degenerate art": the Nazis held up Beckmann's work as a prime example, confiscating it from museums and firing the painter from his faculty post. As Hitler broadcast a rant against modern art, just prior to opening of the Entartete Kunst exhibit, Beckmann left immediately for Amsterdam.

Begin the Beguine was among the many paintings he did in the city where he and his wife were forced to remain for a decade, their entry to the US denied until 1947. Beckmann died in New York at the end of 1950.

And now: back to our product.
Step 1. Write stilted message:
Dear Jennifer,
I thought I would send you a greeting on this new and innovative product that is called The Original Puzzlegram and I think it is going to be a huge success. It is so much fun to send I can just imagine how exiting it is to receive in the mail. I know you will enjoy the puzzle over and over again. I picked this cute image especially for you. I hope to hear from you soon...
The Original Puzzlegram
I found some other TOP images; the generic "cute image" pitch does fit them, as they are of this genre:

Also found this:

This seems to have been done by a competing "original puzzlegram" publisher in Rockville, MD.

But whoever wanted to claim being there first with a "new and innovative product": these folks care to differ.

Thursday, August 16, 2012

Steamy!

Did this subject once inspire a whole genre of post cards?


I haven't been able to find "naughty laundress" as a period subject, but it would have been a natural. After all: working-class women, stripped to their underwear... Even if this well-groomed model is posed (and wearing rather fancy lingerie, at that), "doing the wash" was an excellent excuse for the pose.

Don't know the card's date, but those nice undies include a slip with decorative border somewhere between art nouveau and deco.

I especially like the retouching to denote water drops.

The card was widely marketed:

And this really jumped out at J:

Haven't managed finding more about that besides another card, with this description:
Hand-tinted card, posted in 1912, of a lovely young woman with an Art Nouveau style. This card was printed on paper soaked in radium bromide; after the discovery of radiation by the Curies in 1898, uranium and its salts took on magical properties in the minds of the people and were used for "health"and decoration (it glows!), in food, clothing, toys, and yes...postcards! No promises that this card glows, as we haven't yet had the chance to place it under a blacklight.
There's no visible effect on the laundress card either. It actually looks like photo paper that this was printed on, as there's silver residue (which doesn't show on the scan).

I also saw references to radium brom in homeopathy; well, another good reason to give that theory a miss.

So: did this represent la petite blanchisseuse, or der kleine Wäscherin?

The card probably is German.

As were many good old-fashioned questionable radium products.

Sunday, November 27, 2011

Acrobatics

After managing to breathe for a couple of days, the work week already looms; tomorrow, it's back to being expected to juggle thirty things at once, while bending over backwards to please those with unreasonable expectations...

Though I'm far from graceful at it, I'm reminded of—
Well, with my boss' negligence causing a pile of backlogged "priority" work to get to me at the last possible moment before the holiday, I know what awaits tomorrow—and the only thing spinning in the cubicle will be my head.

"Plate-spinning" image is c. 1970s—from a set of eleven post cards, published by Shanghai People's Publishing House—
At least this is not in my job description—
Cycling act
A douze sur une bicyclette
(The French caption clued me in; I had to really look, to see the twelfth person...)

Some other acts—

Acrobatics on poles
Acrobaties á la perche
Balancing on a ladder
Equilibre sur une échelle
Less strenuous, perhaps, but I like the way the performers are just so perky, as they go about The People's entertainment—
Conjuring
Prestidigitation

Diabolo Play
Diabolos

Tuesday, November 1, 2011

November - Card of the Month

Japanese post card, c. 1960s-1970s; captioned on reverse—
"Shichi-Go-San," Children's Shrine Visiting Day – November 15

On this date, girls of seven ("Shichi" means seven in Japanese), boys of five ("Go") and boys and girls of three ("San"), wearing their best dresses, go to the local shrines accompanied by their parents to pray for future blessing upon them.

Sunday, October 2, 2011

A Topical Interlude

c. late 1940s to early 1950s

The publisher—
The humor in the "Wall Street" joke might come from the 1920s boom: everyone—but everyone—is getting into The Market, could be one read.

The vivid color seems to be post-World War II; compare with a wartime card from the same company—
"Milwaukee, WI: E. C. Kropp... Back of postcard is postmarked 1942."
[Card and notes found here.]

The country truly was "all out" for defense in the 1940s, with the war effort and beginning of economic recovery taking precedence in daily life. While I suspect Wall Street wasn't much of a presence in the public mind, it was there right after the war was won: part of the setting for ticker-tape parades.

From the Metropolitan Postcard Club of New York City is this entry in the list of publisher names starting "K"
E. C. Kropp Co. 1907-1956
Milwaukee, WI

A publisher and printer that began producing chromolithographic souvenir cards and private mailing cards in 1898 under the name Kropp. These cards were of much higher quality than those that would printed under the E.C. Kropp name.

They became the E.C. Kropp Company in 1907 and produced large numbers of national view-cards and other subjects. Their latter linen cards had a noticibly fine grain. Sold to L.L. Cook in 1956 and they are now part of the GAF Corp. U.S.
This Kropp novelty card, too, is printed very nicely on linen card—which seems a bit incongruous for such a silly gag.

Though I'm not completely sure of the joke's intent.

On "Wall Street" we have two dogs at a lamp post—a prop leading to canine reaction, create "pool"...

While I suppose it was meant as a naughty joke about doggie
leg-lifting, the gag also seems to have a negative undertone about Wall Street.

During the late 1940s-50s, Americans were still close enough to the Depression for many people to have a negative image of Wall Street and big business; this, after all, was the reason post-war corporations put so much effort into turning their public images homey and friendly.

Well, I choose to see the Kropp card as an unflattering comment about Wall Street. And indoctrinated as Americans may have become in the decades since this was printed, things have always been about class warfare. Which is increasingly in our faces; for example here, and here.

Whether criticism of unregulated capitalism is labeled "class warfare," or the mass media treat protest as something done by clueless hippies: the reality in our current, unacknowledged economic depression is more like this.

Saturday, October 1, 2011

October - Card of the Month

Japanese post card, c. 1960s-1970s; captioned on reverse—

October
Best Season in Japan

Autumn is said the best season in Japan for it is neither too hot nor too cold. Children have picnics on a field with their friends and sing the joys of their healthy life on the green.

Thursday, September 1, 2011

September - Card of the Month

Japanese post card, c. 1960s-1970s; captioned on reverse—
Fireworks in Summer

In summer season, big displays of fireworks are presented at several places around Tokyo. At each home, children have a pleasure of their own small and fancy fire-works (fire-crackers) with their friends.

Monday, August 1, 2011

August - Card of The Month

Japanese post card, c. 1960s-1970s; captioned on reverse—
Swimming Season

In summer, almost every week-end the city people visit mountain and/or swimming resorts with their children and enjoy their family trips. Especially, swimming resorts located near Tokyo and other big cities
"Card of the Month" for now... but really: these kids and their sand-mud pies are among the all-time prizes.

Thursday, May 5, 2011

May - Card of the Month

Japanese post card, c. 1960s-1970s; captioned on reverse—
"Tango-no Sekku," Boy's Festival (Children's Day) – May 5

At homes which have a boy or boys in the families, cloth or paper carp are flown on a pole set up temporarily in the garden. Inside of the houses, doll representing various traditional heroes are displayed wishing boys' health. After the World War II, this day was established as "Children's Day" for congratulating every child in Japan on their healthy growth.
Today happens to be the first day since March 11 that workers were to attempt entering here. One can only hope for health for all in Japan and—well, everywhere—considering potential global consequences.

As to the traditional "Boys' Day": a different take, from Mayumi Oda:

Girls Kite, Carp; silkscreen, 1983

Tuesday, April 12, 2011

Anniversary

On this day, fifty years ago:

Happy anniversary,
Comrade Gagarin, and Sputnik "Vostok"!

I remember the 1961 news only vaguely. According to this, Gagarin's flight was no big surprise to U.S. space scientists. They soon followed with Alan Shepard's suborbital flight the next month, and John Glenn's orbit in '62.

I came upon the Gagarin card twenty-plus years after the event. Beyond the heroic image-making, it seemed the sensitive face of this Soviet boy-next-door had something quite genuine about it.

That seems to have been a good read.

This suggests the first man in space was a highly likeable and accomplished person, shaped by humble origins and the deprivation of a war-time childhood.

On a tour of Britain three months after his space flight, Gagarin was such a hit that
... The Russophobe Daily Mail even ran the headline: "Make him Sir Yuri!", while John F Kennedy was so alarmed by his popularity that he banned him from entering the United States.
And he's still popular:
According to Andrea Rose, a director of the British Council who is behind plans to erect a statue of Gagarin in London, this veneration is because Gagarin is "the one untarnished figure from the Soviet era".
He died far too young, in a 1968 training plane crash.

Interesting to read about world reaction to Gagarin in 1961.

While I remember the flight just dimly, I have very strong memories of an American TV show, about three years later. Now I wonder: did the Gagarin image influence a certain fictional Russian?

He was an attractive, charasmatic Russian.

Sound out his name, with Hollywood Russian accent: hear the strong resemblance to Yuri Gagarin.

Monday, April 11, 2011

Arrival of Spring

Japanese post card, c. 1970s—

Today marks one month since Japan's deadly earthquake and tsunami.

And it's just after the first weekends in April, when the cherry trees flower and people in Japan get together for hanami: blossom-viewing (with picnicking—and especially, drinking—under the trees).

A Tokyo resident, photographer Alfie Goodrich, expresses some thoughts about this year's hanami as "a chance to celebrate the best of mother-nature, after seeing her worst."

I started the year posting Japanese images, and it's been painful to think about continuing, with all that's happened in the last month.

Another post card, c. early 1970s—
There's no English caption, and for years I treasured this card as an amusingly odd image: working-class Japanese enjoying a sunny day outing, as they accompany a boat transformed into what looked to me like a somewhat goofy creature.

(It's something about the look in that eye...)Years after finding this in the U.S., I had learned enough Japanese to identify the location in the card's capition, and google up this description:
Minato Matsuri (port festival), held August 4-5 in the city of Shiogama, Miyagi Prefecture. Portable shrines are carried aboard two large boats, decorated as a phoenix (as in the card) and a dragon. The main boats are followed by family fishing boats, as everyone joins in to pray for good catches.
From this series of photographs, here is a Shiogama scene last month:
Volunteers sift through debris in Shiogama, northern Japan, Sunday, March 20, 2011, after the March 11 earthquake and tsunami.
AP Photo/The Yomiuri Shimbun, Miho Takahashi

Having lived in the country (though in a region far from the disaster zone), I have a sense of how much life will never be the same. And having traveled through a good bit of Japanese countryside, I know that the rural population is elderly, as are so many of the survivors living through this trauma.

Toward the end of March, there were some very moving images and words by photographers traveling in the region.

Jake Price's photo essay is here. He stayed in a shelter for the displaced and reported that —
The elderly were hit the hardest. At least sixty percent of the people in the center were elderly...

While much has been written about Japanese stoicism, I don't see it that way. There's a lot going on in thoughts and hearts if you look closely at faces and eyes as well. The events of two Fridays ago were swift and violent; people along the coast are still in a state of deep shock. The first person whom I spoke with in my hotel in Yamagata started shaking and was nearly brought to tears when she heard that I was interested in her story. "Aside from my husband it's been a week since I've told anyone about what happened. I just needed to tell someone."

... Although I had my own food, I was constantly being given more. I wanted to turn it down, but to do so I thought would be impolite. While reserved, people were also open, giving, concerned for this stranger who showed up with dirty boots and two bags. Not stoic at all. If anything, I found people determined to keep a gracious spirit alive even during this most trying of times. At the epicenter I did not come across one crack in a single building; accordingly, the same can be said about people's dignity.
Price's experiences are echoed by Wes Cheek, who traveled to rural areas where aid was finally reaching some of the people who, isolated in their own homes (not shelters), had been cut off from the rest of the country.

He phoned reports to Sam Seder's podcast during the trip, and the March 30 show [after the 2:30 mark] has some inspiring stories of survivors helping each other.

The March 31 report [2:00 mark] had stories like Jake Price's: of survivors being grateful that someone was simply listening, and that the world had not forgotten them.

Wes also had some observations about how, enormous as the task of rebuilding will be, it will be helped by the country's focus on infrastructure, and a sense of refusing to let the survivors down.

He also mentioned the difference from American attitudes after Katrina, as in the "why didn't they leave?" blaming of victims.

To that, I would add: Japanese society isn't subject to the kind of divide and conquer rule under which we live. After Katrina, the political agenda that benefits from pushing fear of the other acted as it always does, in demonizing the storm's victims. A practice promoted by our media, directly, or by declining to perceive it.

True, there was a Japanese right-winger's grandstanding after the disaster. But Ishihara soon had to walk back what he said; unlike here, there is not a Japanese mass media promoting this kind of thing, 24/7.

One month later: the nuclear plants are anything but contained. Belatedly, the evacuation zone is being extended a bit, as aftershocks continue.

As in this country, there was a long history of government collusion with corporations corruption in hiding the lack of safety.

Long-range consequences to the environment and human health, in Japan and around the world, are unknown. They will be unaffected by national borders.

If there's to be any hope for this poor planet, it will be if activism in Japan and the rest of world aren't too late, and can get results.

Anti-nuclear demonstration in Tokyo, March 27.
Reuters/Toru Hanai

Tuesday, March 1, 2011

March - Card of the Month

Japanese post card, c. 1960s-1970s; captioned on reverse—

March - "Hina Matsuri" Doll Festival or Girls Festival – March 3

On March 3, little girls display their dolls in classical dresses, which have been handed over by their sisters and mothers, on a stand covered with red cloth. They invite their friends each other and share the delicacies of the festival season.

Thursday, February 3, 2011

February - Card of the Month

Japanese post card, c. 1960s-1970s; captioned on reverse—
February - Picnic in Early Spring

In early spring, kindergartners enjoy spring sunshine under the plum trees in full blossom in the suburbs. Plum blossom symbolizing happy tidings of spring is one of the representative flowers of Japan, like cherry and chrysanthemum.
Never mind the month's beginning with that foot of snow, outside...

Today is also Lunar New Year (Rabbit),

On the traditional Asian calendar it's yet another marker of spring, hard to believe as that may be...

Sunday, January 30, 2011

Not Likely to Melt Soon

Chinese post card, c. 1970s—
"Ice Sculpture" (no other detail)

Saturday, January 1, 2011

January - Card of The Month

Japanese post card, c. 1960s-1970s; captioned on reverse—
January - "Kamakura" snow shed

It is one of time-honored customs in Akita Prefecture where used to have heavy snow fall in winter. Snow sheds, such as one shown in photo, are made in January on the side of the street. Children in this area invite their friends each other to the sheds for new year party held around a brazier.
This is one of a series published by Fukuda, under this logo—



Cards in this series feature a children's festival or activity for the month depicted. I'm missing four months, but the eight I have are wonders that will follow in the matching months...

Sunday, July 18, 2010

Midsummer Greetings


Handmade post cards: wood veneer, ink painting, calligraphy, and paper [moon].

These were found in Los Angeles in the late 1980s, in a Little Tokyo gift shop run by two elderly women. There was a good bit of stock that appeared to be from the late '50s and early '60s, and I suspect these cards are about that old.

The cards mark ochūgen (お中元), which is secondary to New Year as a time of gift-giving and sending post cards with best wishes.

In Japan in the mid-80s, I bought quite a few ochūgen cards of summer flowers, dragonflies, and other seasonal themes, which were mass-produced and available at any stationery shop. At a folk art shop I also found a number of designs stenciled on handmade card, with the maker's name and a "post card" ID stamped on the reverse.

The cards above are unusual in being blank on the reverse, without even the craft person's name. They don't seem likely to have come from Japan; perhaps they were hobby work by a local person.